We Got A Date employs rigorous movement in the processional mode, with the audience seated in long rows facing one another, as at a parade. The action transpires down the middle, at each end, and behind the spectators. With texts drawn from autobiographical material 60 Minutes interviews, and the Army-McCarthy hearings, the piece examines love and sexuality in contemporary society. We Got A Date investigates the body as the site of power, and the systems and attitudes that condition it.

Created by: Joan Dickinson, Matthew Goulish, Lin Hixson (director), Greg McCain, Timothy McCain, and Karen Christopher.

Performance History